MORI LEE MOTHER OF THE BRIDE FULL

There are no loud, obtrusive notes but rather sublime additions that add to the elegant flow of the dress. The use of embellishments is always tasteful, with the adornments carefully color matched to the color of the gown. These exquisite evening dresses are styled without the unnecessary trappings of overdone ruffles or garish adornments, drawing attention to the form of the body in an arresting and chic way, rather than focusing on too much ornamentation. Trumpet skirts flare fabulously from dropped waistlines. A number of dresses feature front opening A-line overlay skirts. Softly flowing A-line skirts are lightly gathered at the waistline and slim A-lines draw attention with multiple tiers. Faux wrap fitted skirts have asymmetrical overlays while other fitted styles are shaped with center back gathers. Fitted skirts are side gathered and asymmetrically draped from the waistline or feature cascading asymmetrical flounces. The gowns features side gathered bodices and asymmetrically ruched bodices. Striking drapery is showcased throughout the collection. These shimmering highlights extend onto sleeves. Different styles of beading incorporated into the gowns include latticework, ombre, crystals and bugle beading. Beading and embroidery is mirrored on the back bodices.

MORI LEE MOTHER OF THE BRIDE FULL

Scoops and V’s mirror the necklines of the bodice and high illusion necklines lead into full backs. Backs are styled to garner attention to the dress from every angle and the collection includes sheer backs with keyholes, intriguing cutouts and illusion backs accented with covered buttons.

A chic ruffle is used to accent a waist nipping peplum. Inverted curved waistlines accentuate the soft flow of long skirts and beaded waistlines above dropped waistlines add an extra dimension. Slightly dropped waistlines are accented with scalloped trim and removable beaded belts assure a cinched waistline. Waistlines and backs deserve as much attention as necklines and she beads them with a dramatic flourish. No detail is overlooked in Madeline Gardner’s quest for perfection. Many of the bodices are framed with cap sleeves, short sleeves and three-quarter illusion sleeves, providing coverage to the shoulders, and the strapless gowns are completed with the addition of a matching bolero. One-shoulder gowns feature asymmetrical necklines and a limited number of gowns are strapless with sweetheart necklines. Deep V-necklines are trimmed with beading or softly scalloped trim, while off-the-shoulder necklines add an enticing touch to the collection. There are fit and flare silhouettes that flare gently from the hips and trumpet gowns with the addition of filmy godets.īodices are beautifully adorned with elaborate beading and embroidered appliques, showcasing necklines of every description, such as bead trimmed scoops, illusion jewels and sheer Sabrina necklines. Satin cascades copiously in A-line gowns with full, voluminous skirts, with jersey and stretch mesh molding curvaceously to the curves in dresses with fitted silhouettes. Other plush and feel good fabrics which are styled in fashion templates are tulle, net, crepe and stretch mesh. There are long gowns completely styled in beaded mesh and beaded lace, and dresses where the beaded embellishments are limited to the bodice or the bodice and hips. Sleek Larissa satin is adorned with intricate beading, accentuating the overall shimmer, and beautiful beading emphasizes an hour glass figure encased in body hugging jersey. Silhouettes are designed to flow easily with movement, clinging and shaping, or delightfully draped.Įxquisite embellishments bring the collection to life, with the measured placement of lines of cascading beads against a backdrop of chiffon and or silky crepe overlaid with crystal beaded lace. Every dress is cut to perfection in order to accentuate the best attributes of a woman’s figure while concealing less flattering features where necessary. The collection primarily features full-length gowns with sweep trains, though a number of cocktail-length dresses with knee-length and above the knee skirts make an appearance. Madeline Gardner is cognizant of these concerns and creates gowns that make a woman feel desirable and striking whatever her age. She desires contemporary style, in keeping with her maturity and age. It is a dress to be chosen with care, flattering to her figure and portraying her timeless elegance.

Every woman understands the importance of selecting just the right dress for her daughter’s wedding as she is more than just a guest, having a central role in the proceedings.

Mori lee mother of the bride